Sabtu, 26 Maret 2011

[Z299.Ebook] Ebook Free Business Storytelling For Dummies, by Karen Dietz, Lori L. Silverman

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Business Storytelling For Dummies, by Karen Dietz, Lori L. Silverman

Business Storytelling For Dummies, by Karen Dietz, Lori L. Silverman



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Business Storytelling For Dummies, by Karen Dietz, Lori L. Silverman

Use storytelling to influence people and move them to action
Need to get your point across? Get staff on board with change? Foster collaboration? Increase sales? Strengthen employee engagement? Build customer loyalty? Drive innovation and creativity? Capture best practices? Align people around a goal? Grow your business? Business Storytelling For Dummies can help you do this--and more. 

 Discover:

  • Expert advice with real-world examples
  • Proven case studies, tips, and templates
  • How to get results by capturing, crafting, telling stories, and more

  • Sales Rank: #388483 in Books
  • Published on: 2013-12-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.10" w x 7.30" l, 1.23 pounds
  • Binding: Paperback
  • 384 pages

From the Back Cover
Learn to:

  • Translate data, facts, and figures into rich, captivating messages
  • Harness the power of good storytelling to influence and motivate employees
  • Effectively convey messages to buyers and funders
  • Connect with your audience and drive your business to new heights
Use storytelling to influence people and move them to action

Need to get your point across? Get staff on board with change? Foster collaboration? Increase sales? Strengthen employee engagement? Build customer loyalty? Drive innovation and creativity? Capture best practices? Align people around a goal? Grow your business? Business Storytelling For Dummies empowers you to do this -- and more. Learn how to harness the power of a good story to influence prospects, customers, colleagues, team members, sponsors, and funders. Use stories to tap into their imaginations and translate sterile facts and stagnant case studies into exciting concepts they can identify with.
  • Get started with business storytelling -- discover why organizations across a variety of industries have embraced storytelling, why it works, and what it can do for you
  • Create compelling stories -- use tried-and-true methods for crafting compelling stories that engage listeners and quickly shift people into action
  • Share your story -- get the practical ins-and-outs of story sharing, best practices for telling stories, different media to use, and how to keep stories fresh and alive
  • Bring story into your work -- dig into the nuts and bolts of the most popular and requested applications of stories in business, complete with how-to steps, templates, and examples
Open the book and find:
  • The why, what, how, and who of business storytelling
  • What makes a good story
  • How to craft the core of a story
  • When to embellish a story to give it impact
  • Tips for being a good listener
  • Ways to sell with stories
  • How to create storied marketing materials
  • Storytelling tips for speakers
  • Ten ways to measure the results of a story initiative

About the Author
Karen Dietz, PhD, is a 25-year veteran in business storytelling consulting, training, and leadership, and organizational development. Lori L. Silverman offers business storytelling training, keynotes, and consulting. For 26 years, she's advised enterprises on strategic planning and organizational change.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Here is your roadmap to the big, sprawling territory that is business storytelling
By D. B. Hutchens
Organizational storytelling is a field that has a lot of self-appointed experts, so one of the first things that makes this book exciting is that the authors both have such distinguished histories in the field. (Google their names. You’ll find they both have a deep portfolio of work to discover.) As someone who has read a lot of material on the topic of org narrative, I can tell you that Dietz and Silverman have provided the best overview I have seen. There are a lot of confusing ideas out there clouding the fast-growing body of knowledge (even around the most basic questions, such as “what is a story?”), and the authors are able to cut through all of that with tremendous clarity and credibility.

Regarding the “what is a story?” issue, the authors do something kind of brilliant there. Early in the book, they provide a definition that does NOT go down the well-traveled path of listing standard story elements (like plot, conflict, protagonist, etc.) Instead, they define story in terms of the outcome it has on the audience. A counter-intuitive idea, but the more I reflect on it the more compelling I find it.

There are so many great ideas here. The chapter on data storytelling is smart; and it would not have occurred to me to have a full chapter on how to make a story shorter — or longer — but there it is in Chapter 9, and it was full of wisdom. Chapter 12 is a great summary on how to help storytelling become integrated in your organization’s culture. There are probably Harvard Business Review articles somewhere that deal with topics like these in depth, but I haven’t seen a single volume that lays them all out to provide this kind of big-picture awareness. The book is FULL of examples. Lots of written stories, with “before” and “after” presentations showing how the authors’ principles were applied. It is very helpful and engaging.

I’ve never read a “For Dummies” book before, but with this one I appreciate the format. There are a lot of checklists, and margin icons indicating where the text features “real like examples” or “pitfalls to avoid” and so on. Those devices really did help to keep the presentation crisp and searchable. Which I suppose is one reason the Dummies brand has been such a phenomenon.

If you are new to the world of business storytelling, you can be confident that this book will orient you in a way that is well-validated, tested, and based on the authors' considerable research and experience. Highly recommended.

2 of 3 people found the following review helpful.
Must read
By Kupe
I have not finished it yet. But this book has sparked many ideas in how I work with clients, how I sell, and how I influence.

1 of 2 people found the following review helpful.
Five Stars
By ginny
Excellent resource. Great digital links. Essential for anyone running a business.

See all 39 customer reviews...

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[J851.Ebook] PDF Download Sphinx, by Anne Garréta

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Sphinx, by Anne Garréta

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Sphinx, by Anne Garréta

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Sphinx, by Anne Garréta

Sphinx is the remarkable debut novel, originally published in 1986, by the incredibly talented and inventive French author Anne Garr�ta, one of the few female members of Oulipo, the influential and exclusive French experimental literary group whose mission is to create literature based on mathematical and linguistic restraints, and whose ranks include Georges Perec and Italo Calvino, among others.

A beautiful and complex love story between two characters, the narrator, "I," and their lover, A***, written without using any gender markers to refer to the main characters, Sphinx is a remarkable linguistic feat and paragon of experimental literature that has never been accomplished before or since in the strictly-gendered French language.

Sphinx is a landmark text in the feminist and LGBT literary canon appearing in English for the first time.

Anne Garr�ta (b. 1962) is a lecturer at the University of Rennes II and research professor of literature and Romance studies at Duke University. She joined the Oulipo in 2000, becoming the first member to join born after the Oulipo was founded. Garr�ta won France's prestigious Prix M�dicis in 2002, awarded each year to an author whose "fame does not yet match their talent," for her novel Pas un jour.

Emma Ramadan is a graduate of Brown University and received her master's in literary translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

  • Sales Rank: #123936 in eBooks
  • Published on: 2015-03-16
  • Released on: 2015-03-16
  • Format: Kindle eBook

Review
"The set-up is such a classic, relatable tale of falling in -- and out -- of love that one wonders why gender has always been such a huge factor in how we discuss relationships, in fiction and otherwise. . . . So, the author, and the translator, created their own language, championing love and desire over power and difference." — Maddie Crum, Huffington Post

"The strength of [Sphinx] lies in its philosophical eloquence . . . Take away gender and race from the book, and what’s left? Love, viewed as a nihilistic transcendence . . . considerably more than a language game.” — Adam Mars-Jones, London Review of Books

"In this sense, just as the novel is genderless, it is also genderfull . . . Garr�ta finds endless shades of in between and out of bounds, her characters taking shapes no other text before—or since—has imagined." — Lauren Elkin, Bookforum

"Garr�ta’s aim was to overthrow gender binaries carried by language, and in light of recent demands by transgender groups to use gender neutral pronouns, Sphinx seems curiously prescient." —�Catherine Humble, The Times Literary Supplement (TLS)

"[Garreta's] been called influential and groundbreaking, and with this, her first translation into English, it is easy to see why. Sphinx is an important contribution to queer literature—fascinating, intelligent, and very welcome." —Lambda Literary

"Sphinx is an almost effortlessly readable, atmospheric love story, like a Marguerite Duras novel starring a pair of genderless paramours who haunt the after-hours clubs and cabarets of Paris. The conceit is so simple and so potent that it’s impossible to get too far without pondering big questions about the role gender plays in the way we think about love in literature — and in life." —�Flavorwire Staff Pick by editor-in-chief Judy Berman

"For Garr�ta, it just may be possible then that the body occupies the space of language as powerfully as its capacity to produce it." — Tyler Curtis, BOMB Magazine

"Sphinx is a novel of passion and loss that transcends gender and speaks to the universality of desire and loss, morality, spiritual crisis and the need to connect and belong. It’s also a novel that captivates and propels the reader to question the boundaries of desire and memory—and which one ultimately holds us captive." —�Monica Carter, Three Percent

"A unique novel, Sphinx succeeds in telling a love story without names or genders, allowing the reader to interpret the novel however they wish. Set in Paris and calling to mind the work of James Baldwin, this both feminist and LGBT book is deeply evocative in its word usage as it celebrates love without the constraints of gender." — World Literature Today

"I must start by saying that I simply devoured this book. Its romp through seamy Paris nightclubs; its exacting portrait of a passionate affair; and its exploration of both mileus with a deft mixture of immediacy and intellectual detachment had me absolutely obsessed with it — I just had to know what was happening next."? — Miriam Bridenne, Albertine Books, "4 French Women Writers To Discover This Summer!"

"A powerfully compelling narrative." —�Tobias Carroll, Vol. 1 Brooklyn, "A Year of Favorites"

"Centering her tale on the love and lust of a young couple in the Parisian underworld allows Garr�ta to train our eyes on the physical beauty of youth, the sensuality of anonymous bodies, and our preconceptions regarding both. The bodies of je and A***, left bare of gender markers, create the need for a new, more vigilant kind of reading that involves a constant undoing of assumptions. They cry: Read yourselves, not just us." —�Jane Yong Kim, Words Without Borders

""However, the fragments that do surface from this unconscious reservoir are vividly and eloquently incarnated. This is particularly true of the prose around lights, music, and bodies—the primary elements that compose nightclubs. They are rendered in rapturous tones . . . I could go on—exquisite fragments like these are packaged in nearly every page." —�John Taylor, The Rumpus

"Garr�ta’s removal of gendered grammar is less an indictment of gender—or sign-bearing bodies—and more of a narrative challenge, a queering of language. This is also to say Sphinx is less of a queer romance novel than it is a poetic queering of love itself." — Meghan Lamb, The Collagist

One of the Dallas Observer's "13 Books to Read this Summer"

The Paris Review Staff Pick by Charlotte Groult

"The body may be divine, but it can only be seen in such close focus that individual limbs can hardly be distinguished: we are left with flesh and bone, plus a few spinning hormones." —Joanna Walsh, The National

"I must start by saying that I simply devoured this book. Its romp through seamy Paris nightclubs; its exacting portrait of a passionate affair; and its exploration of both mileus with a deft mixture of immediacy and intellectual detachment had me absolutely obsessed with it — I just had to know what was happening next." — Tom Roberge, Albertine Books Staff Pick

"Spectacular." —Aaron Westerman, Typographical Era (5-star review)

"Quite remarkable, and a rewarding piece of experimental—in the best senses of the word—fiction." —Michael Orthofer, Complete Review

"We search for signs from our lovers. We search for signs from those of us who we would like to be our lovers. The media, the market all of those things they tell us which signs belong with whom. Sphinx subverts all of this, offering the reader signs that can be aligned to anyone of any gender. But the book does something beyond this game of language and gender. Garr�ta is asking her readers to change their perception of a tale of lovers. This is no small task and elevates her Oulipo trickery beyond linguistic change and into the realm social change as well." —�Allison Grimaldi-Donahue, Queen Mob's Teahouse

"Masterful...an extremely ambitious experiment pushing the boundaries of language." — Sarah Coolidge, Zyzzyva

"Garr�ta’s stylistic experiment has been carried out at once boldly and discreetly — it is difficult not to be lured into the story . . . [Emma Ramadan] has skillfully brought this thought-provoking novel to the English-reading world, where it has long been overdue." — John Taylor, The Arts Fuse

"Untethered from the genre you’ve unconsciously assigned it, the story expands. Love, like the universe has a way of doing that. And yet you sense a helplessness in the narrator to try, like you were, to pin something down." —�Leah Dieterich, The Art Book Review

"The reader is both forced and free to provide what the author has pointedly left out of the text. Even if a reader is aware of the book's constraint, moving his or her or their eyes across the page at a sufficient speed, the reader begins to add the pronouns Ramadan was so careful to exorcise. Which ones in particular will vary: the book is a Rorschach test for each reader's assumptions about gender and the writing of gender. These assumptions are as likely to be conditioned by clues within the text as by the knowledge of paratextual facts about it." — Ryan Ruby, 3 Quarks Daily

About the Author
Anne F. Garr�ta is the first member of the Oulipo to be born after the founding of the Oulipo. A normalien (graduate of France’s prestigious �cole normale sup�rieure) and lecturer at the University of Rennes II since 1995, Anne F. Garr�ta was co-opted into the Oulipo in April 2000. She also teaches at Duke University as a Research Professor of Literature and Romance Studies. Her first novel, Sphinx (Grasset, 1986), hailed by critics, tells a love story between two people without giving any indication of grammatical gender for the narrator or the narrator’s love interest, A***. Her second novel, Ciels liquides (Grasset, 1990), told the fate of a character losing the use of language. In La D�composition (Grasset, 1999) , a serial killer methodically murdered characters from Marcel Proust’s In Search of Lost Time. She met Oulipian Jacques Roubaud in Vienna in 1993, and was invited to present her work at an Oulipo seminar in March 1994 and again in May 2000, which led to her joining the Oulipo. She won France’s prestigious Prix M�dicis in 2002, awarded each year to an author whose “fame does not yet match their talent” (she is the second Oulipian to win the award–-Georges Perec won in 1978), for her latest novel, Pas un jour (Grasset, 2002).

Emma Ramadan is a graduate of Brown University, and received her Master's in Literary Translation from the American University of Paris. Her translation of Anne Parian's Monospace is forthcoming from La Presse. She is currently on a Fulbright Fellowship for literary translation in Morocco.

Most helpful customer reviews

1 of 1 people found the following review helpful.
No Genders Required
By Tony's Reading List
'Sphinx' is a simply wonderful book, a mesmerising look into the underworld of emotion and relationships - the fact that the writer has forced herself to hide the genders of the two main protagonists is a mere bonus. As the story develops, the two lovers are forced to grapple with their differences, as is the reader. It's tempting to play detective and look for hints of gender-defining behaviour, but after a while you're simply swept along by the story and the writing. Don't forget that translator Emma Ramadan was just as bound by the central premise, if in a different way, and her work here should not be underestimated. For a full review, please see my Wordpress site, Tony's Reading List.

2 of 2 people found the following review helpful.
Love beyond definition
By Audrey Schoeman
I didn’t go into reading Anne Gar�tta’s first novel, Sphinx with low expectations. Everything I had read about it online pointed towards this being an exceptional book, so it wasn’t a surprise when the language on the very first page of the book had me hooked.

“Languid nights at the whim of syncopated rhythms and fleeting pulses; the road to hell was lit with pale lanterns; the bottom of the abyss drew closer indefinitely; I moved through the smooth insides of a whirlwind and gazed at deformed images of ecstatic bodies in the slow, hoarse death rattle of tortured flesh.”

Told through the prism of faded memory, we are drawn into the world of a nameless narrator; at the beginning of the story a student of theology, ostracized by the dogmatic opinions of the other students and attracted to the rhythms of the Parisian underworld; to nightclubs and cabarets and a life that takes place entirely at night. In this world our narrator meets and falls in love with A***, an exotic dancer, and the novel unfolds as the story of their unlikely but passionate and troubled romance.

Before encountering this novel I had never heard of OuLiPo, a French group of writers who write within self-imposed constraints. Anne Gar�tta was not a member of the group at the time of this (her first) novel’s first publication in 1986, but she is now, and as I understand it this one would have met the standards. As Daniel Becker says in his introduction, if you don’t know what the constraint she imposed is, then do everything in your power to keep it that way until you have a chance to read the book, and see how long it takes you to work it out. By that I mean close this window right now and do not finish reading my review; nor should you go on to read the excellent reviews on roughghosts, Tony’s Reading List, or Mookse and Gripes. Read them afterwards, before you revisit the book (because you will).

I couldn’t convince you? Or you’ve already read it. Well, if you haven’t, it’s on you.

The defining feature of Gar�tta’s brilliant novel (and the translator’s note at the end makes it clear just how much of the substance and form or the book it impacts) is this: our two main characters, the lovers, remain genderless throughout. Their sexuality is fluid, undefined, there for you to project your own assumptions onto, and then to return and question those assumptions, amend them, attempt to look past them. In this way ultimately the novel turns on you, becoming a mirror for your understanding of the world. You can read it as you see fit and my understanding certainly shifted throughout. I was amazed at just how difficult it truly was not to decide on fixed gender identities; how I needed to categorise the characters in order to imagine them.

“Crotches crossed and sexes mixed, I no longer knew how to distinguish anything.”

Did I say it was the defining feature? It is, but in a subtler way than might be imagined. Writing without gender has of necessity shaped the language Gar�tta has used, and the miracle of the book is how that is woven back into the story, building the necessarily high-faluting language (she was forced to use the pass� simple, a written-only tense which has no equivalent in English but which would normally suggest a level of literary pretension) into the character of the narrator. A*** is described largely as an object of beauty; a mirror rather than a well-rounded person, and while this grows again from linguistic constraints, it becomes an integral part of their relationship.

“I was the shadow of a body that ignored me; I was also the source of the light that produced that shadow. All that came back to me was a projection of myself. A*** was merely a parasite interposed between my consciousness and my unfailing tendency to diffract the real.”

From the very beginning A***, wary of the budding relationship, is concerned about being viewed as a cipher or a mirror, reflecting back beauty without ever being truly known. And in many ways this comes to pass, although whose fault it is would be hard to identify. The relationship is a highly physical one, as our narrator has renounced the world of the intellect for one of physical gratification, maintaining a distance from the world.

The emotional remove from events; the first person narration; and the filter of memory overlaid on the story at first reminded me of that other narrator of Paris, Patrick Modiano, but the book quickly grew beyond that. The sense of ennui experienced here by the narrator and the level of introspection are entirely Gar�tta’s own.

I loved the book; it was a fully immersive reading experience. There were things about it which I didn’t always love; the distancing from events which at first was part of the appeal became wearying by the end, and the narrator’s outlook on life was increasingly frustrating. How could anyone not feel frustrated with a narrator who tells us:

‘”My aptitude for suffering astonished me in that moment. I was suffering as no one suffers anymore in this century; my sensibility was outmoded in the extreme. Had I ever been capable of loving without suffering?”

What became apparent while I was reading the translator’s note (and Emma Ramadan deserves a shout out here for an amazing translation) was that all of these elements were a requirements of the constraint; that Gar�tta had had to shape her character and plot around this missing identity. It is a remarkable achievement and more remarkable for being a straight up great book at the same time.

More reviews available at www.goodbyetoallthis.com

0 of 0 people found the following review helpful.
The advertising misleads, but still a great novella
By echoe
The blurb on the title and, indeed, what likely drives you to the book, was ... not entirely accurate in my reading. That's not the main thrust of the book from what I read, and indeed as soon as I got a bit through it I started imagining genders for the two main characters in the love story, who aren't directly talked about with gender but who do hit two fairly common gender stereotypes.
Also, this book is not a full novel. I brought it on a flight hoping to read through it all on the trip there, and finished in an hour. I ended up playing a cellphone game.
But Sphinx is definitely worth reading. There is a twist in the middle - it is disappointing in some ways - mainly because of how it hews to an overall convention in society in general, one I can't directly name if I want to avoid spoilers (and do I!) - but while I was reading it, I was spellbound.
I don't know if I would say the characters are 100% developed, but I don't think that's the point. This novel made me feel things I definitely didn't expect, and the sentences are beautiful - I imagine that they don't translate over perfectly from the french but they give what I would imagine is the same feeling, a sort of weighted stasis and ennui that permeates the covers like a wave. It isn't even, really, the sentences, but it's how the sentences and their languid ... stuffed-ness? ... complements the book as a whole, where everything within it feels like it's set to burst.

I really liked this book. I do wish it was what I had expected when I picked it up, but what I got in its place was fantastic anyways, so I can't complain too much. :)

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Rabu, 23 Maret 2011

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SEO 2016: 9 Essential Search Engine Optimization Strategies to Use in 2016 (Internet Marketing Success Secrets), by Matthew Lucas

In this book I'll show you 9 Essential Search Engine Optimization strategies to use in 2016

Hi, I'm Matt Lucas

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    • Sales Rank: #274198 in eBooks
    • Published on: 2015-06-11
    • Released on: 2015-06-11
    • Format: Kindle eBook

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    Reading This Book is Going to Bring You UP TO SPEED and Give You a Good, Solid SEO Foundation to Work From
    By Jack Pinion
    I do a lot of work online and I always seem to be about a year behind when it comes to SEO. When I learned about backlinks, I remember being able to rank really well with them for about six months until the big G reworked their algorithms. SEO in 2015: 9 Essential Search Engine Optimization Strategies to Use in 2015 was a very cool read. No fluff and very workable techniques you can be implementing on your websites as soon as you finish reading. This book is very easy to comprehend especially if you've managed to build your own website. What I think I liked best was the information about how important social media and more importantly, social proof has become when it comes to optimizing your website. The big G is taking all this into consideration these days when it comes to ranking your site's relevance to search. I think what I gleaned most from this read is that in reality, there are no shortcuts. You must put the work in if you want your website to rank. The SEO strategies inside on one hand are common sense if you know what you're up against but most of us are not so I think it's safe to say that reading this book is going to bring you UP TO SPEED and give you a good, solid SEO foundation to work from. I know I will be referring back to it as I go through my various websites and work toward getting them optimized. Easy read but a GOOD READ. 5 STARS.

    1 of 1 people found the following review helpful.
    Strategic tips
    By Rowan
    Because internet trends change from year to year, it is a good thing to be aware of the predicted changes in advance. As this book pointed out, we need to have site optimization strategies in order to rank in the search engines. The writing style is simple and can be understood easily even by non-technical individuals. Content and promotion still rank high in SEO priorities. If you own a website and have not made any changes in the last few years, I suggest you read this as a counter checking tool if you have done the SEO strategies well. This is just a short read, but you may be able to learn a thing or two.

    1 of 1 people found the following review helpful.
    learn about the new changes for 2016, or get started anew
    By Jay Seymour
    This is great for those who have been using search engine optimization, but need to keep updated with the changes that came about in the last few years, especially for 2016. However, it is also good for those who aren't already using it and want to get started using it, because it also works as a guide for those who are new to SEO. You learn about how to use it successfully in terms of social media, picking the best keywords, "E.A.T. for success, which is short for "Expertise, Authority, and Trustworthiness", and much more.

    See all 17 customer reviews...

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    Selasa, 22 Maret 2011

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    • Sales Rank: #4404490 in Books
    • Brand: Brand: Sitepoint
    • Published on: 2003-01-01
    • Original language: English
    • Number of items: 1
    • Binding: Paperback
    • 272 pages
    Features
    • Used Book in Good Condition

    Review
    "... Yank writes clearly and concisely to get you where you want to be." -- Internet.com.au Magazine

    "... in-depth title, with specific coding examples... certainly useful if you're trying to add database functionality to your site." -- .net Magazine (UK)

    "Kevin, you have an unmistakable gift for helping people to understand the complexities of programming..." -- Daniel Jajeh

    "Your book is wonderful, I've learned more than using books twice or three times the size." -- Erik Hey

    Together, PHP and MySQL form the most widely used open source database and scripting technologies on the Web today. As a budding Web developer, you need to learn and master PHP and MySQL. Build Your Own Database Driven Website Using PHP & MySQL is a hands-on guide to learning all the tools, principles, and techniques needed to build a fully functional database-driven Web site using PHP and MySQL.

    This book covers everything from installing PHP and MySQL under Windows or Linux, to building a live Web-based content management system. It also covers more advanced topics such as the storage of binary data in MySQL, and cookies and sessions in PHP, and comes complete with a set of PHP and MySQL reference tables that include PHP and MySQL syntax, functions, column types, and more.

    This book not only provides easy access to all the code samples demonstrated, but, more importantly, it leaves you with the confidence and know-how to adapt the principles and techniques to your own Web design projects. -- sitepoint.com

    About the Author
    Kevin Yank started developing Websites in 1995, long before graduating from McGill University with a Bachelor of Computer Engineering. Today, Kevin is the Technical Director for SitePoint.com, editor of the SitePoint Tech Times and a highly respected technical writer.

    Excerpt. © Reprinted by permission. All rights reserved.
    On the Web today, content is king. Once you've mastered HTML and learned a few neat tricks in JavaScript and Dynamic HTML, you can probably build a pretty impressive-looking Web site design. But then comes the time to fill that fancy page layout with some real information. Any site that successfully attracts repeat visitors has to have fresh and constantly-updated content. In the world of traditional site building, that means HTML files -- and lots of 'em.

    The problem is that, more often than not, the people who provide the content for a site are not the same people who handle its design. Oftentimes, the content provider doesn't even know HTML. How, then, is the content to get from the provider onto the Web site? Not every company can afford to staff a full-time Webmaster, and most Webmasters have better things to do than copying Word files into HTML templates anyway.

    Maintenance of a content-driven site can be a real pain, too. Many sites (perhaps yours?) feel locked into a dry, outdated design because rewriting those hundreds of HTML files to reflect a new design would take forever. Server-side includes (SSI's) can help alleviate the burden a little, but you still end up with hundreds of files that need to be maintained should you wish to make a fundamental change to your site.

    The solution to these headaches is database-driven site design. By achieving complete separation between your site's design and the content you want to present, you can work with each without disturbing the other. Instead of writing an HTML file for every page of your site, you only need to write a page for each kind of information you want to be able to present. Instead of endlessly pasting new content into your tired page layouts, create a simple content management system that allows the writers to post new content themselves without a lick of HTML!

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Great book, extremely helpful.
    By JP
    This book was great! It helped step through the basic and not so basic aspects of mysql and how it relates to php. The examples were easy to follow, but not condescending. It was helpful to have online access to the code. I really enjoyed the fact that he would give you enough information to understand the concept, but then had you figure things out on your own before giving the rest of the program. I have been impressed at the detail and helpfulness of this book.

    7 of 7 people found the following review helpful.
    Great Intro book to PHP programming with MySQL
    By Randy Johnson
    I throughly enjoyed the book. Kevin Yank writes very well and makes the book an easy read and gets you excited about developing your own database driven application. It was just the book I was looking for to getting started with PHP and MySQL web development. I wouldn't recommend it for seasoned PHP and MySQL programmers and the book is the on thin side to be of any use as reference, but it's very excellent for beginners. I'll probably invest in a more robust PHP and MySQL web development book in the future.

    0 of 0 people found the following review helpful.
    Great!
    By Sebastian
    Got me into programming.

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    Sabtu, 19 Maret 2011

    [G889.Ebook] Ebook Intentional Interviewing and Counseling, Facilitating Client Development in a Multicultural Society, by Cram101 Textbook Reviews

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    • Sales Rank: #1821296 in eBooks
    • Published on: 2016-09-26
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    Senin, 14 Maret 2011

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    • Sales Rank: #4119378 in Books
    • Published on: 1996-07-29
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    [B731.Ebook] Get Free Ebook Food of Portugal, by Jean Anderson

    Get Free Ebook Food of Portugal, by Jean Anderson

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    Food of Portugal, by Jean Anderson

    Food of Portugal, by Jean Anderson



    Food of Portugal, by Jean Anderson

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    Food of Portugal, by Jean Anderson

    • An extensive bilingual glossary explains, defines, and describes
    • Portuguese food, wine, cooking, and restaurant terms.
    • With notes for cooks and travelers on the language
    • of Portuguese wine, food, and dining.
    • Wine notes have been completely revised and updated.
    • Color photographs of Portugal by the author.

    • Sales Rank: #8348872 in Books
    • Published on: 1987-01-01
    • Format: Import
    • Original language: English
    • Binding: Hardcover
    • 304 pages

    From Publishers Weekly
    Portugal, as much as Portuguese cooking, is the subject of this book, which is enlivened by veteran food writer (coauthor of The NEW Doubleday Cookbook Anderson's familiarity with the country's people, regions, rivers and markets. A lengthy glossary in the introductory section notwithstanding, the narrative is buoyed by historical notes, reminiscences and tips on the best inns and restaurants in Portugal. When Portuguese is used in the recipes, the English translation is also included, thereby precluding the necessity of making frequent reference to the glossary, a mild annoyance with many ethnic cookbooks. The recipes depend on simple ingredients, often in unusual combinations ("pork and clams may sound like a new low in surf 'n' turf dinners, but it is in fact a Portuguese classic"), subtly seasoned with olive oil, bay, tomatoes, garlic and the spices of the East introduced to Portugal by explorer Vasco da Gama at the turn of the 16th century. Meat, fish and chicken, often marinated, and soups are emphasized. In the interests of health and ingredient availability, some traditional Portuguese dishesmany egg sweets and lampreys, or fat eel, delicacieshave been omitted. Photos not seen by PW.
    Copyright 1986 Reed Business Information, Inc.

    About the Author

    The winner of five best cookbook awards (Tastemaker, James Beard, IACP) and a member of the James Beard Cookbook Hall of Fame, Jean Anderson writes for Bon App�tit, Food & Wine, Cottage Living, Gourmet, More, and other national publications. She lives in Chapel Hill, North Carolina.

    Most helpful customer reviews

    1 of 1 people found the following review helpful.
    Great Recipes from Portugal
    By Amazon Customer
    I gave my daughter-in-law and her sister copies of this book. They are Portuguese but live in Australia. They say it's excellent; the ingredients are reasonably easily obtainable; the book brings back wonderful memories of home cooking when they lived in Portugal; and they can now shares those memories with their Australian families. I'm fortunate to enjoy some of their cooking. Recommended.

    6 of 6 people found the following review helpful.
    FABULOUS!
    By A Customer
    Having traveled to Portugal two times and enjoyed its undiscovered culinary treasures, I am thrilled to have such an exquisite and authentic book to awaken my memories.

    13 of 13 people found the following review helpful.
    the aroma of old portugal
    By A Customer
    I long for the days when I could smell the aroma of my mother cooking her portuguese food in the kitchen. The smell of portuguese food brings back memories of my Parents,Portugal, and Traditional values long gone.Finally I have found a portuguese book in english that rekindled that aroma so well. If anyone out there needs to rekindle memories of Portugal, "The Food of Portugal" will bring that great aroma back into your kitchen again.

    See all 32 customer reviews...

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