[H964.Ebook] Free PDF A Boy Made of Blocks, by Keith Stuart

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A Boy Made of Blocks, by Keith Stuart

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Discover a unique, funny and moving debut that will make you laugh, cry and smile. Meet thirtysomething dad, Alex He loves his wife Jody, but has forgotten how to show it. He loves his son Sam, but doesn't understand him. Something has to change. And he needs to start with himself. Meet eight-year-old Sam Beautiful, surprising, autistic. To him the world is a puzzle he can't solve on his own. But when Sam starts to play Minecraft, it opens up a place where Alex and Sam begin to rediscover both themselves and each other ...Can one fragmented family put themselves back together, one piece at a time? Inspired by the author's experiences with his own son, A Boy Made of Blocks is an astonishingly authentic story of love, family and autism.

• Sales Rank: #787893 in Books
• Published on: 2016-12-29
• Original language: English
• Dimensions: 7.72" h x 1.10" w x 5.12" l,
• Binding: Paperback

Review
Funny, expertly plotted and written with enormous heart. Readers who enjoyed The Rosie Project will love A Boy Made of Blocks - I did Graeme Simsion A Boy Made of Blocks is constructed around not just a great plot, but a rare sense of honesty and insight. -- John Harris Guardian A heart-warming and wise story ... I shed a few tears but was left with a warm glow Cathy Rentzenbrink, author of The Last Act of Love Heartwarming, funny and special. I devoured this cracking book. The Unmumsy Mum Very funny, incredibly poignant and full of insight. Awesome. Jenny Colgan One of those wonderful books that makes you laugh and cry at the same time Good Housekeeping A Boy Made of Blocks is one of those unique and exquisite stories that grab you from the very first line. Searingly honest and poignant ... tremendously moving. A truly beautiful story. Heat Even the hardest of hearts will be warmed by this poignant tale based on the author's life with his autistic son Mail on Sunday This is a wonderful, warm, insightful novel about family, friendship and love that tugs at your heart. Daily Mail Stuart scatters his rose petals with enough thorns to ensure his often very funny debut will get under the skin ... a tear-jerker -- Claire Allfree Metro Be prepared to shed tears (Book of the Week) Sun A Boy Made of Blocks is a wonderful read and I imagine that this will be one of many outstanding novels by Keith Stuart. Huffington Post This debut is sad, funny and full of heart-melting moments that make tears inevitable. Daily Express [A] warm, humorous and touching story about fatherhood and family Sunday Mirror This book is incredible. Keith Stuart is a very clever man. Stuart Heritage Fans of Nick Hornby with love this funny and moving tale. Closer A heartwarming read Sunday Express Warm and real, honest and heart-breaking, joyous and life-affirming. It has the lot. Vanessa Greene Keith Stuart is a master at balancing humour alongside the serious. He has a light touch but also moves us deeply, and his characters are wonderfully real. Clever and full of insight. Virginia Macgregor The characters are well-developed and vulnerable, learning to navigate and make sense of a world filled with obstacles. Stuart's debut novel is a charming and timely tale of learning to connect in the digital age. Kirkus An engaging and satisfying read on modern parenting Your Weekend (New Zealand) It was refreshing to read a story where the characters flail around, panic, cry, swear, yet ultimately are determined to build little blocks of happiness with those whom they love. -- Cath Weeks The Big Issue Touching and funny Autism Eye An escape, majestic and beautiful, into a world where imagination is the only limit. Forbes

About the Author
Keith Stuart is an author and journalist. His heartwarming debut novel, A Boy Made of Blocks, was a Richard and Judy Book Club pick and a major bestseller, and was inspired by Keith's real-life relationship with his autistic son. Keith has written for publications including Empire and Edge, and is games editor of the Guardian. He lives with his wife and two sons in Frome, Somerset.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book, an original story
By G. Pliler
This is not typically the type of book I would read, but I managed to read it through in a single day. It flows well, and the characters are very relatable. I have seen it described as a tear-jerker, which would make one assume it was a sad book, but its not.

1 of 1 people found the following review helpful.
A beautiful, heart-warming story about a father and son
By Whispering Stories Book Blog
Eight year old Sam is autistic. After years of drifting apart, his mum Jody, as his dad Alex, decide to part company, with Alex being the one to leave the family home.

Alex is in his thirties, and is now living in his friend Dan’s spare room. To top it all off, he has just been made redundant. He has a strained relationship with his son, as he doesn’t understand him, nor know how to communicate with him. He even finds it too much to take his son to the park.

When Sam is given a games console by his mum, Alex isn’t very happy with his wife, but over time he learns that through the power of Minecraft, he can start to understand, and learn to communicate with his son.

Being the mother of a thirteen year old autistic child, though not quite as severe as Sam, I could understand what life was like for his mum and dad, alongside having an understanding of how Sam worked too.

Dad Alex doesn’t feel equipped to be able to raise a child with autism. He doesn’t quite understand that children with autism see the world differently, most often in High Definition with the sound turned up. You get the feeling that he is quite scared of his son, especially being on his own with him. I’ve seen this scenario over and over with a few parents. They get frustrated, often not with the child, but with themselves as they feel that they don’t know how to cope.

Mum Jody worships her son, and does everything she can to be there for him, help him, and truly understand him. She finally gets to the end of her tether with her husband. Not only are they growing apart, but his attitude towards Sam is pushing her away. She clearly loves Alex very much, but something had to give and that meant asking Alex to leave.

One thing that I find a vast majority of autistic children love, certainly the ones that I know, is electronic games, whether that be an iPad, games console or computer. They seem to be able to connect with the virtual world a lot better than they do with the real world, so when Alex found an in-road to his son through Minecraft, I wasn’t surprised.

I found that the book had a natural and easy flow to it, and you find yourself getting lost in the life of a father and son. I actually didn’t realise at first that it wasn’t a memoir, but a fictional story. This is how realistic Keith Stuart’s writing is.The story will have you working out, emotion-wise. One minute you will be laughing and feeling happy, the next you may as well let the tears flow as sadness creeps in.

This is a beautiful, heart-warming story about a father and son, and how Minecraft became the joining bridge between them.

Reviewed by Stacey at Whispering Stories Book Blog

**I received an arc copy of this book, which I voluntarily reviewed**

0 of 0 people found the following review helpful.
A book full of insight, warmth, love, honesty, laughter and tears.
By Jill's Book Cafe
This book is inspired by the author's own experiences with his autistic son, which helps to make this a realistic and heartfelt novel about love and acceptance.

Alex has always struggled to come to terms with his son's autism but his failure and frustration has also resulted in damaging his relationship with his wife. The tension between the two, has a detrimental effect on Sam, which of course creates a vicious circle. The answer, is to ask Alex to leave which he reluctantly does, moving in with his childhood friend. What follows is an attempt to understand what went wrong and how, if possible, he can put it right. The problem is complicated by the fact that in order to love others, you have to love yourself, and Alex's problem goes back much further to the loss of his brother George.

The breakthrough comes, when Sam discovers Minecraft, which results in the opportunity to have a shared activity which Alex uses to build not just an imaginary world, but a sometimes fragile, but growing, real life relationship. As their relationship develops, so too does Alex's awareness of what is actually required from him and how he's been falling woefully short. The question is, is it too little, too late or is there a future not just for him and Sam, but also for his marriage to Jody.

I adored this book, and I will admit I didn't originally expect too. A story about a family falling apart and an obsession with a computer game, didn't immediately sell itself too me. However having seen the reviews my interest was piqued and all I can say, is that if you have similar misgivings, cast them aside - now. This is a beautifully written, heartwarming book about a father developing a relationship with his son. While this relationship has obviously been hampered by the very real complications brought about by his son's autism, it still identifies very real life lessons that are applicable to any relationship.

Alex is not always a sympathetic character, initially I just wanted to shout at him for his apparent selfishness, but as we begin to appreciate his back story, he's easier to understand and warm to. His inability to bond with Sam, while perhaps understandable is also not just about Sam's autism. The reality is that bringing up any child can be hard, but while Sam's autism perhaps makes it harder for Alex, I wonder whether Alex uses it as an excuse to avoid getting involved. It's only as a fragile bridge is built that Alex recognises it isn't about what he wants, but what Sam needs.

The character that undoubtedly stole my heart was Sam. I can't begin to understand what it's like to live with autism, and as each person may be on a different place on the spectrum, this book gives you just a glimpse of what it's like for Sam. Needless to say, I just wanted him to be happy, to find a way for him to be comfortable in his skin, and to find a way to make friends and build relationships that will enable him to move forward in life. These are life skills, which all children have to learn, but most do it without being hampered by a condition that makes you scared of the world, of noise, of physical contact and of rules that everyone seems to understand but you. If nothing else I would hope this book makes us less judgemental of things we don't understand and more understanding.

The book offers a very touching and insightful in to what it means to live with an autistic child, but it isn't all tears and tantrums. There's a lot of warmth, humour and a surprising discovery that Minecraft isn't just a nerdy computer game. As well as following Alex and Sam on their journey of discovery, we also get to meet and Alex's friend Dan, his sister Emma and his Mum. They all have their own cameo roles to play in helping Alex understand himself and add an extra layer to the story that makes a fuller, richer read.

In short, this is book full of insight, warmth, love, honesty, laughter and tears. It has lessons for us all about building relationships, about accepting ourselves and others and for being thankful for family and friends.

I received an ecopy of this book via NetGalley to review.

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[X777.Ebook] Download Ebook Getting over Getting Older, by Letty Cottin Pogrebin

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"My feminist sisters . . . counsel women to welcome age", writes award-winning author and founder of "Ms". magazine Letty Cottin Pogrebin. "They discern nobility and power in the elder female. So do I, but I'm not in a hurry to "be" one. I hated turning 50, it's as simple as that". With a winning combination of insight and emotional honesty, she shatters myths about everything from menopause to monogamy--and offers women a new, mindful perspective on the middle chapters of their lives.

• Sales Rank: #1365900 in Books
• Published on: 1997-05-01
• Released on: 1997-05-01
• Original language: English
• Number of items: 1
• Dimensions: 9.04" h x .89" w x 6.02" l,
• Binding: Paperback
• 336 pages

Amazon.com Review
Not everyone--not even every feminist--holds to the belief that age brings wisdom, power, and its own beauty. Faced with turning 50, Letty Cottin Pogrebin, founder of Ms. and author of several books including Growing Up Free, says her reactions ranged "from astonishment to anger, from confusion to curiosity, from denial to disgust." Using herself as a compass and adding many other well- known voices, Pogrebin's irreverent book takes on friendship, sex, love, dieting, mothering adults, the physical and emotional depredations of aging, and mortality. Rather than stubbornly toeing the line on spurning plastic surgery, for example, she thoughtfully explores "the tension between artificiality and authenticity." In the end, she concludes, one can devote one's remaining years to lamenting and running after lost youth or put that time to far better uses. Despite a glib, overly playful tone that trivializes certain issues, Pogrebin's desire to share downplayed truths is a boon.

From Publishers Weekly
Pogrebin (Deborah, Golda and Me), a founding editor of Ms magazine, is the latest baby boomer to weigh in with her thoughts on what turning 50 means to a woman. In anecdotes that range from humorous and insightful to occasionally tedious and self-indulgent, drawn from her own experiences and from the lives of friends, the 55-year-old Pogrebin ruminates on the pros and cons of aging. According to the author, the loss of a youthful appearance and a decrease in energy are offset by the freedom that comes when child-rearing ends. Age, she says, can also bring a heightened sense of living in the now. Of particular interest is an account of Pogrebin's emotional turmoil when she had to have a needle biopsy after a suspicious mammogram reading. Although much of her advice for coping with midlife, such as the benefits of discovering solitude, is useful, certain suggestions like living well and traveling are available only to the financially secure. Major ad/promo.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
From weight gain to incontinence, a founding editor of Ms. magazine discusses fiftysomething anxieties.
Copyright 1996 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I read this book years ago when I turned 50 ...
By Denny Davis
I read this book years ago when I turned 50 and it was very helpful. I bought this as a gift from someone's 50th birthday but the condition of the book was not as expected so I returned it.

37 of 41 people found the following review helpful.
Superficial
By C. Lacher
Maybe I didn't enjoy this so much because I am only 45 and, therefore, a good 15 years younger than the author. That makes us of different generations making her personal anecdotes difficult to relate to. In addition, I don't have a great career, I'm not married, I don't live in a large metropolitan & cosmopolitan area, I don't have a group of fabulous girlfriends to drink wine and compare stories with, and I don't have kids (and likely never will) so again, I found a lot to not bond about with the author.
The opening chapter, however, was wonderful and had me howling in my chair. I hoped that fun would be maintained throughout the book. Instead, I felt the book spent too much time talking about superficial aspects of aging like eating right, exercising, and keeping your mind alert by trying new things (well, duh!). She also completely overlooks the more spiritual aspects of mortality in favor of political discussions about women in society (important but not what I'm needing right now). There was a rather graphic description of a breast bioposy which was riveting (the author holds nothing back there and thank you for that) Maybe in another five years I'll connect better instead of finding this to read very much like an irritating upbeat "how-to-be a glowing senior citizen article" out of Good Housekeeping Magazine. For now, I'd recommend Awakening at Midlife by Kathleen Brehony.

2 of 2 people found the following review helpful.
The lady doth protest too much
By Delin Colon
While I had adjustments to make when I came into my 50's, this book didn't really help, as Pogrebin was far more freaked out than I was about aging, and seems to spend the book convincing herself that it's ok. I wasn't concerned with a lot of the superficial stuff with regard to aging... looks, weight, etc. So it was more the spiritual and existential aspects of life that interested me. But, even up to the end of the book, it sounded to me like a frantic effort to make herself comfortable with the aging process. Letty's mother-in-law (my nursery school teacher), Esther Pogrebin, was a true feminist who was always comfortable in her own skin and freaked out by very little - now, she could have written a terrific book on aging.

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[O450.Ebook] Download There Are No Children Here: The Story of Two Boys Growing Up in the Other America, by Alex Kotlowitz

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This national best-seller chronicles the true story of two brothers coming of age in the Henry Horner public housing project in Chicago over a two-year period. Lafeyette and Pharoah Rivers are eleven and nine years old when the story begins in the summer of 1987. Living with their mother and six siblings, they struggle to survive gun battles, gang influences, overzealous police officers, and overburdened and mismanaged bureaucracies.

Through extensive research, Kotlowitz brings us this classic rendering of growing up in the 'jects', selected by the New York Public Library as one of the 150 most important books of the twentieth century.

• Sales Rank: #2925935 in Books
• Published on: 2010-05-01
• Formats: Audiobook, Unabridged
• Original language: English
• Number of items: 9
• Dimensions: 5.92" h x 1.09" w x 5.32" l, .57 pounds
• Running time: 39600 seconds
• Binding: Audio CD

Amazon.com Review
There Are No Children Here, the true story of brothers Lafeyette and Pharoah Rivers, ages 11 and 9 at the start, brings home the horror of trying to make it in a violence-ridden public housing project. The boys live in a gang-plagued war zone on Chicago's West Side, literally learning how to dodge bullets the way kids in the suburbs learn to chase baseballs. "If I grow up, I'd like to be a bus driver," says Lafeyette at one point. That's if, not when--spoken with the complete innocence of a child. The book's title comes from a comment made by the brothers' mother as she and author Alex Kotlowitz contemplate the challenges of living in such a hostile environment: "There are no children here," she says. "They've seen too much to be children." This book humanizes the problem of inner-city pathology, makes readers care about Lafeyette and Pharoah more than they may expect to, and offers a sliver of hope buried deep within a world of chaos.

From Publishers Weekly
The devastating story of brothers Lafayette and Pharoah Rivers, children of the Chicago ghetto, is powerfully told here by Kotlowitz, a Wall Street Journal reporter who first met the boys in 1985 when they were 10 and seven, respectively. Their family includes a mother, a frequently absent father, an older brother and younger triplets. We witness the horrors of growing up in an ill-maintained housing project tyrannized by drug gangs and where murders and shootings frequently occur. Lafayette tries to cope by stifling his emotions and turning himself into an automaton, while Pharoah first attempts to regress into early childhood and then finds a way out by excelling at school. Kotlowitz's affecting report does not have a "neat and tidy ending. . . . It is, instead, about a beginning, the dawning of two lives." These are lives at a crossroads, not totally without hope of triumphing over their origin. ( Apr .
Copyright 1991 Reed Business Information, Inc.

From School Library Journal
YA-- Life in Chicago's Henry Horner housing project robbed Lafeyette and Pharoah Rivers of their childhood and innocence. The crowded apartment housed LaJoe, six of her eight children, and a procession of needy relatives and friends. Bleaker than the overcrowding was the physical condition of the apartment; conditions outside were worse. Drug use, crime, shootings, and other violence were commonplace. Retribution sure and swift followed if someone saw or knew too much. Through his extensive research and his intimate friendship with the Rivers family, Kotlowitz paints a poignant, heartbreaking picture of life in the inner-city ghetto and the overwhelming odds children must overcome to break out of the vicious cycle of poverty and crime. A must-read for everyone. --Grace Baun, R. E. Lee High Sch . , Springfield, VA
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Before the demolishing of the tall buildings
By 360
I have to give Alex five stars.
This book is well written which makes it such a good read.

Mr. Kotlowitz did his research the old fashion way.

There is no other way Alex could have gathered the information he had to write this book without boots on ground as well as door to door interviews.

Example there is one page where the book reads about a random car passing by with its radio playing a song by Keith Sweat.

Fall of 87 through fall of 88, Mr. Sweat ruled the radio airwaves in Chicago.

I believe Mr. Kotlowtiz was standing right in the heart of that community interviewing and taking notes when that car passed by playing that song during that time.

I prefer the real and this book is as real as it gets.

1 of 1 people found the following review helpful.
A Dose of Reality
By Rich Murphy
I found this to be a telling account of one of America's most shameful faces: allowing our fellow citizens to live under such squalid conditions with no hope in sight. The author depicts realistically the story of one African American family in Chicago with a devoted mother, an impaired and absent father, and kids of indomitable spirit who are buffered by factors not of their own making.

Unfortunately, Ronald Reagan's image of welfare mothers driving Cadillacs persist today, perhaps even more so than when he spoke of it in the 80's. But this book explains the realities of good people in horrible circumstances, doing the best they can for their kids and the kids struggling to survive, never mind thrive, in incredibly bad circumstances.

I only hope that conditions have improved since this book was written...but I strongly suspect they haven't. Until we help people in these circumstances, America in its own right, will be a third world country, regrettably.

2 of 2 people found the following review helpful.
Good book. Sparks many questions
By William Fields
This was an outstanding book, especially, when read critically and analytically. I recommend diving into this book with this question in mind, "How do we fix it?" By "it," I mean the racial and ethnic problem in America that is clearly depicted within the "projects." More directly, ask yourself what problems do you see and how as a society and as an individual can we solve them. When reading with this question in mind, many ideas will develop and become clustered in your mind. With all the varying problems (drugs, the criminal justice system, gangs, lack of role models, etc) that are seen within the book, it may seem impossible to answer this question, however, as a society we must try. I recommend this book because it offers a great plot in addition to its educational value.

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There Are No Children Here: The Story of Two Boys Growing Up in the Other America, by Alex Kotlowitz PDF
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[Q332.Ebook] Download Ebook The Prisoner of Chillon, by Lord Byron

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The Prisoner of Chillon, by Lord Byron

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The Prisoner of Chillon is a 392-line narrative poem by Lord Byron. Written in 1816, it chronicles the imprisonment of a Genevois monk, Francois Bonivard, from 1532 to 1536. The poem describes the trials of a lone survivor of a family who has been martyred. The character’s father was burnt at the stake, and out of six brothers, two fell at the battlefield while one was burnt to death. The remaining three were sent to the castle of Chillon as prisoners, out of which two more died due to pining away. In time only the narrator lived. The work’s themes and images follow those of a typical poem by Lord Byron: the protagonist is an isolated figure, and brings a strong will to bear against great sufferings. He seeks solace in the beauty of nature (especially in sections ten and thirteen), and is a martyr of sorts to the cause of liberty. Like much of Byron’s work, it came about as a reaction to his own experiences as a traveller, making use of historical and geographical knowledge Byron gained in continental Europe. Byron titled his work The Prisoner of Chillon: a fable; stylistically, it is a romantic verse-tale.

• Sales Rank: #5034338 in Books
• Published on: 2015-07-19
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .6" w x 6.00" l, .11 pounds
• Binding: Paperback
• 24 pages

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0 of 0 people found the following review helpful.
I needed to read this poem before visiting Chillon. ...
By Susan H. Rogers
I needed to read this poem before visiting Chillon. The annotations were very helpful filling in the background of the real prisoner and the life of Byron.

0 of 0 people found the following review helpful.
Enjoy this!
By Carol C. Bray
Oh....this was fun in that I read it before going to the actual prison. Amazing that Lord Byron! Read it.

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[V467.Ebook] PDF Ebook Fifty Quick Ideas to Improve Your User Stories, by Gojko Adzic, David Evans

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This book will help you write better stories, spot and fix common issues, split stories so that they are smaller but still valuable, and deal with difficult stuff like crosscutting concerns, long-term effects and non-functional requirements. Above all, this book will help you achieve the promise of agile and iterative delivery: to ensure that the right stuff gets delivered through productive discussions between delivery team members and business stakeholders. Who is this book for? This is a book for anyone working in an iterative delivery environment, doing planning with user stories. The ideas in this book are useful both to people relatively new to user stories and those who have been working with them for years. People who work in software delivery, regardless of their role, will find plenty of tips for engaging stakeholders better and structuring iterative plans more effectively. Business stakeholders working with software teams will discover how to provide better information to their delivery groups, how to set better priorities and how to outrun the competition by achieving more with less software. What's inside? Unsurprisingly, the book contains exactly fifty ideas. They are grouped into five major parts: - Creating stories: This part deals with capturing information about stories before they get accepted into the delivery pipeline. You'll find ideas about what kind of information to note down on story cards and how to quickly spot potential problems. - Planning with stories: This part contains ideas that will help you manage the big-picture view, set milestones and organise long-term work. - Discussing stories: User stories are all about effective conversations, and this part contains ideas to improve discussions between delivery teams and business stakeholders. You'll find out how to discover hidden assumptions and how to facilitate effective conversations to ensure shared understanding. - Splitting stories: The ideas in this part will help you deal with large and difficult stories, offering several strategies for dividing them into smaller chunks that will help you learn fast and deliver value quickly. - Managing iterative delivery: This part contains ideas that will help you work with user stories in the short and mid term, manage capacity, prioritise and reduce scope to achieve the most with the least software. About the authors: Gojko Adzic is a strategic software delivery consultant who works with ambitious teams to improve the quality of their software products and processes. Gojko's book Specification by Example was awarded the #2 spot on the top 100 agile books for 2012 and won the Jolt Award for the best book of 2012. In 2011, he was voted by peers as the most influential agile testing professional, and his blog won the UK agile award for the best online publication in 2010. David Evans is a consultant, coach and trainer specialising in the field of Agile Quality. David helps organisations with strategic process improvement and coaches teams on effective agile practice. He is regularly in demand as a conference speaker and has had several articles published in international journals.

• Sales Rank: #75234 in Books
• Published on: 2014-10-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .34" w x 8.50" l, .71 pounds
• Binding: Paperback
• 124 pages

About the Author
Gojko Adzic was bitten by the specification-by-example bug five years ago. He has helped numerous teams implement these practices, written two previous books on the subject and contributed to several open source projects supporting specification by example. Gojko is a frequent speaker at leading software development and testing conferences and runs the UK Agile Testing User Group.

David Evans is an established writer and lecturer. He has written more than 20 books on modern European history and appears regularly on television and radio.

Most helpful customer reviews

7 of 7 people found the following review helpful.
50 quick ideas to improve
By Lisa Crispin
This new book by Gojko Adzic and David Evans is deceptively slim. It's not just 50 ideas to improve your user stories. It's 50 experiments you can try to improve how you deliver software. For each experiment, David and Gojko provide you with information and resources "to make it work".

One chapter that has caught my eye is "Use Low-Tech for Story Conversations". Gojko and David advise holding story discussions in rooms with lots of whiteboards and few big tables. When everyone sits at a big conference table, looking at stories on a monitor or projected on a wall, they start tuning out and reading their phones. Standing in front of a whiteboard or flip chart encourages conversation, and the ability to draw makes that conversation more clear. Participants can draw pictures, connect boxes with arrows, write sentences, make lists. It's a great way to communicate.

I've always been fond of the "walking skeleton", identifying the minimum stories that will deliver enough of a slice to get feedback and validate learning. Gojko and David take this idea even further, they put the walking skeleton on crutches. Deliver a user interface with as little as possible below the surface now, get feedback from users, and iterate to continually improve it. As with all the ideas in the book, the authors provide examples from their own experience to help you understand the concept well enough to try it out with your team.

David and Gojko understand you're working in a real team, with corporate policies and constraints that govern what you can do. Each story idea ends with a practical "How to Make it Work" section so you can get your experiment started.

Again, it's not just a book of tips for improving your user stories. It's fifty ways to help your customers identify the business value they need, and deliver a thin slice of that value to get feedback and continue to build it to achieve business goals. It's a catalog of proven practices that guides you in learning the ones you want to try.

6 of 6 people found the following review helpful.
Just great!
By Dmitry
If you have to manage the backlog or starving to finally make user stories work this book if what you've been looking for.
Great examples on how to prepare user stories, how to split them and nice tips on iterative delivery, definitely worth reading.

3 of 3 people found the following review helpful.
Immensely practical book - Perfect for anyone who needs to write and understand user stories
By Barry J. Kurtz
Really like the way this book is laid out - Simple and direct. Every idea structured as follows: 1) The concept; 2) Key benefits 3) How to make it work.

Includes many techniques I use all the time: "Start with the outputs"; "Split by capacity"; "Simplify outputs". Some were variations on familiar concepts: "When all else fails, slice the hamburger"; "Forget the walking skeleton, put it on crutches" (the reference to Cockburn's Crystal Clear made me smile). Then there were ideas that got me thinking - "Use hierarchical backlogs"; "Investigate value on multiple levels"; "Split learning from earning".

Also, don't overlook the bibliography. Listed a number of articles/books I had never read before some of which were as interesting book itself and felt like a bonus.

Overall an enjoyable and useful book on the subject. Deserves to be in your reference library. Highly recommended.

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[J647.Ebook] Ebook Free The Face: Cartography of the Void, by Chris Abani

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In The Face: Cartography of the Void, acclaimed poet, novelist, and screenwriter Chris Abani has given us a brief memoir that is, in the best tradition of the genre, also an exploration of the very nature of identity. Abani meditates on his own face, beginning with his early childhood that was immersed in the Igbo culture of West Africa. The Face is a lush work of art that teems with original and profound insights into the role of race, culture, and language in fashioning our sense of self. Abani’s writing is poetic, filled with stories, jokes, and reflections that draw readers into his fold; he invites them to explore their own “faces” and the experiences that have shaped them.

As Abani so lovingly puts it, this extended essay contemplates “all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.” The Face is a gift to be read, re-read, shared, and treasured, from an author at the height of his artistic powers. Abani directs his gaze both inward and out toward the world around him, creating a self-portrait in which readers will also see their own faces reflected.

Abani’s essay is part of a groundbreaking new series from Restless Books called The Face, in which a diverse group of writers takes readers on a guided tour of that most intimate terrain: their own faces. Visit www.restlessbooks.com/the-face-series for more information.

Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, and has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun - Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic.

• Sales Rank: #478212 in eBooks
• Published on: 2015-04-02
• Released on: 2015-04-02
• Format: Kindle eBook

Review
“A fascinating meditation on identity that explores the novelist’s own mixed heritage and mixed feelings….A true citizen of the world….With great insight and compassion, Abani reveals that behind his—and every—face are unseen scars.”

—San Francisco Chronicle

“I devoured it a single sitting. It’s light and easy, and also heavy and thought-provoking. It’s not exactly a memoir, but it’s a moving and funny account of inhabiting what Esi Edugyan calls the ‘yes, but where are you really from?’ question.”

— The New Inquiry

“Chris Abani describes his face as ‘a mixture of two races, of two cultures, of two lineages’ (he was born in Nigeria to an Igbo father and English mother), writing with humor, anguish and acceptance about ancestry and family and ‘wearing’ his father's face.”

—�Patricia Hagen,�Minneapolis Star Tribune

“This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor.”

—The Bowed Bookshelf

“Chris Abani might be the most courageous writer working right now. There is no subject matter he finds daunting, no challenge he fears. Aside from that, he’s stunningly prolific and writes like an angel. If you want to get at the molten heart of contemporary fiction, Abani is the starting point.”

— Dave Eggers

“Chris Abani is easily one of most important voices in literature today.”

— Warscapes

“What do our faces say about us — and how much of what they say is fair? That’s one of the questions posed by Restless Books’s intriguing new series The Face, in which writers use their own countenances as launchpads into the imaginative stratosphere . . .�in Chris Abani‘s Cartography of the Void, part of the series’s inaugural triptych (along with short works by Ruth Ozeki and Tash Aw), we’re not disappointed . . .�Can we dismiss the significance of our faces when they bear so strongly the marks of who we were as much as who we are? It could seem like a pessimistic question. But Abani isn’t pessimistic. Seeing his father in himself is troubling but it also opens up a path to understanding. And so it is that he can hope: ‘That my face, and my father’s face, and his father’s face before him will blaze in an unending lineage of light and forgiveness.’”

—�Charles Arrowsmith,�House of SpeakEasy

“Abani is a force to be reckoned with, a world-class novelist and poet.”

—�Russell Banks, author of Lost Memory of Skin

“Abani has the energy, ambition and compassion to create a novel that delineates and illuminates a complicated, dynamic, deeply fractured society.”

—�Los Angeles Times

“Abani [is] a fluid, closely observant writer.”

—�The Washington Post

“Abani is a fiction writer of mature and bounteous gifts.”

—�The New York Times

“A master, a literary shaman.”

—�Brad Kessler, author of Birds in Fall

“Abani writes in a fearless prose.”

—�Time Out Chicago

About the Author
Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender, and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun: Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He is the recipient of the PEN USA Freedom-to-Write Award, the Prince Claus Award, a Lannan Literary Fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, the PEN Hemingway Book Prize, and a Guggenheim Award.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A moving and unsentimental take on race from a great Nigerian-American writer.
By Avidity Jones
Chris Abani is a poet and a storyteller, and you get the sense reading his long-form essay, "The Face," that he'd tell you the two things aren't so different. But this book is much more than just poetry and lyricism (which it has in spades); it's a profound exploration of race and identity, African history and personal history, that is utterly unique and yet somehow also universal and above all, timely. Abani was born into the Igbo tribal culture in Nigeria, and now he lives in Chicago. He's also lived many places in between, his identity shifting in relation to his setting:

"When I lived in East Los Angeles, a predominately Chicano/Latino neighborhood, I was assumed to be Dominican or Panamanian. In Miami, where I go regularly for religious reasons, I am confused for a Cuban. In New Zealand I was assumed to be Maori. In Australia, Aborigine. In Egypt, Nubian. In Qatar, Pakistani. In South Africa, Zulu or some other group, depending on who was talking. Other times, because of my accent, which is a mix of Nigerian, British, and now American inflections, I am assumed to be from “one of the islands.” No one accepts my Nigerianness, not without argument. In fact, the two things I have been rarely taken for— Nigerian and white—are the very things that form my DNA."

I loved this book, which as a Kindle Single makes for the perfect single-sitting read. After I read it, I walked around inspired—it's the kind of book to give a friend or enemy, saying "Read this, you'll feel better, both in head and heart."

2 of 2 people found the following review helpful.
An elegant read that reads you
By ebele
Thought provoking reflection on that which is both strange, communal, and personal- the face. You'll journey with the author into the places where our complex lives weave into the bigger narrative of the bloodlines we represent; the circles we run - around love and hate, identity and conformity; the things we disown to find we cannot truly disown; the ways we both remember and forget. Running through it all is the understated but graceful, even beautiful way these tensions and the profound mystery of it all-being, identity and belonging- is pinned to earth in the unique faces we wear. After reading, your face & everyone else's will no longer be 'just' a face to you!

0 of 0 people found the following review helpful.
Essential reading
By BowedBookshelf
The work of Chris Abani crosses national boundaries. He calls himself a “global Igbo,” referring to his lineage, and to the fact that he has so many foreign influences on his experience as a Nigerian. Brought up privileged in an educated middle-class household with a white British mother and an Oxford-educated Igbo father, Abani had access to western music, American novels, Bollywood films, Indian mysticism as a youth. He was a precocious fourth son, starting to write in his early teens.

His face, which he talks about in this memoir, has a kind of universality so that people often mistake him for Lebanese, Arab, Indian, Dominican, Cuban, Hawaiian, or Maori. When his Korean manicurist in L.A. called his face “comfortable,” Abani writes "Comfortable face. I liked it. Made me think of a well-worn armchair that I’d like to collapse into after a rough day. A face made for sitting in. Where one could sip a sweet spicy ginger tea and talk about love and books and karaoke. A face worn in by living, worn in by suffering, by pain, by loss, but also by laughter and joy and the gifts of love and friendship, of family, of travel, of generations of DNA blending to make a true mix of human. I think of all the stress and relief of razors scraping hair from my face. Of extreme weather. Of rain. Of sun. I think of all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.
Comfortable face."It is not just the face of Chris Abani that is comfortable. He makes us comfortable about ourselves, about the world, about our fears and aspirations. Abani’s fiction reveals the insides of characters who are often different in some way, their very differentness expressing their underlying and universal humanity. We are all different from one another. It is our differentness that makes us the same.

At the same time, Abani makes us uncomfortable. In an essay for Witness magazine entitled, “Ethics and Narrative: the Human and Other,” he writes "In making my art, and sometimes when I teach, I am like a crazed, spirit-filled, snake-handling, speaking-in-tongues, spell-casting, Babylon-chanting-down, new-age, evangelical preacher wildly kicking the crutches away from my characters, forcing them into their pain and potential transformation. Alas, or maybe not, I also kick the crutches away from my readers. And many have fled from the revival tents of my art, screaming in terror."When we go to dark places in ourselves, Abani suggests, we can come back, better. “When you are at your worst, you can see yourself most clearly.” At your worst, you can see your choices most clearly, and choose goodness, compassion. This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor. “Language actually makes the world in which we live.” Language, and literature, at its best, can be transformative. We can create our world anew by what we say, what we think, what we read, what we write. But we therefore have an obligation to use words [and actions] that do not harsh the environment, but gentle it, that explain and improve the world.

Abani is a black man, but his writing has few markers for what passes for “black” in America. In a 2014 interview with Rumpus Magazine Abani tells Rumpus interviewer Peter Orner that having grown up in a black-majority country, he was not defined by his race until he left Nigeria and went to Britain and the United States.

Though he has lived in the United States for some ten years or more, Abani does not write in the style of white or black America, though he clarifies in an NPR interview (Illinois), “Africa could never have the literature it does without the influence of black Americans.” African literature makes no attempt to fit into the Western canon: African writers are having this conversation over here, and if you want to join in you must make accommodation. Interestingly, Abani finds writing in America freeing, partly because of the language, which is constantly influenced by our immigrant population, and because of the vitality and variety of experience and geography.

Abani’s students, and we readers, often “forget he is black” because he assumes the right to speak with his own voice and deals with universal themes. But Abani observes and occasionally writes of the oppression of black people in this country: "Slavery [in Amerca] is not really over". In this memoir he mentions that when he is stopped while driving, the cops seem surprised and almost “offended by his [British] accent.” He recognizes that as an educated middle-class African, he has a privileged position in American society. “Race in America has more to do with social position than it has to do with biological race.”

Abani now teaches writing at Northwestern University in Chicago. Daria Tunca of the University of Li�ge in Belgium has compiled a wonderfully complete bibliography of Abani’s work (and short biography) which includes links to interviews, readings, and Abani’s website. I share my favorite links below because I feel his work is essential reading/listening. Somehow the issues we face in the world are pointed to by this big man with the small voice and small toes. And he gives us some answers: You reflect my humanity back at me. Ubuntu.

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[A417.Ebook] Free PDF A Discovery of Witches: A Novel (All Souls Trilogy), by Deborah E. Harkness

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A richly inventive novel about a centuries-old vampire, a spellbound witch, and the mysterious manuscript that draws them together.

Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.

Debut novelist Deborah Harkness has crafted a mesmerizing and addictive read, equal parts history and magic, romance and suspense. Diana is a bold heroine who meets her equal in vampire geneticist Matthew Clairmont, and gradually warms up to him as their alliance deepens into an intimacy that violates age-old taboos. This smart, sophisticated story harks back to the novels of Anne Rice, but it is as contemporary and sensual as the Twilight series-with an extra serving of historical realism.

• Sales Rank: #88293 in Books
• Brand: Brand: Viking Adult
• Published on: 2011-02-08
• Released on: 2011-02-08
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.63" w x 6.31" l, 1.80 pounds
• Binding: Hardcover
• 592 pages

Features

• Great product!

Amazon.com Review
Amazon Best of the Month, February 2011: It all begins with a lost manuscript, a reluctant witch, and 1,500-year-old vampire. Dr. Diana Bishop has a really good reason for refusing to do magic: she is a direct descendant of the first woman executed in the Salem Witch Trials, and her parents cautioned her be discreet about her talents before they were murdered, presumably for having "too much power." So it is purely by accident that Diana unlocks an enchanted long-lost manuscript (a book that all manner of supernatural creatures believe to hold the story of all origins and the secret of immortality) at the Bodleian Library at Oxford, and finds herself in a race to prevent an interspecies war. A sparkling debut written by a historian and self-proclaimed oenophile, A Discovery of Witches is heady mix of history and magic, mythology and love (cue the aforementioned vampire!), making for a luxurious, intoxicating, one-sitting read. --Daphne Durham

Ten More Books for Readers of A Discovery of Witches

Interested in learning more about magic and science?

I may have written a novel, but I’m still a history professor! Here are some reading suggestions for those of you whose curiosity has been stirred up by the story of Diana Bishop, Matthew Clairmont, and the hunt for the missing alchemical manuscript Ashmole 782. All of the titles here are non-fiction, and inspired some aspect of A Discovery of Witches.

Elias Ashmole, Theatrum Chemicum Brittanicum: Don’t be put off by the Latin title. This is a collection of English alchemical texts that were gathered by Elias Ashmole. The missing alchemical manuscript that Diana finds in the Bodleian library is not among them, alas, but if you are interested in the subject this is a fascinating glimpse into the mysterious texts that she studies as a historian.

Janet Browne, Darwin’s Origin of Species: Books That Changed the World: Browne is not only a great scholar, but a superb writer. A highly-regarded biographer of Darwin, here she turns her talents to writing a “biography” of his most famous book—and one of Matthew Clairmont’s favorites, as well.

Owen Davies, Grimoires: A History of Magic Books. If you are interested in the history of magic and witchcraft, Davies’ description of the development of magical spellbooks will provide insights into how ideas about magic, science, and nature developed over the centuries.

Carol Karlsen, The Devil in the Shape of a Woman: Witchcraft in Colonial New England. Diana Bishop is descended from a long line of witches. You will find out more about some of those witches—the Bishops and the Proctors—while reading this classic interpretation of what happened in Salem in 1692.

Robert Kehew, Ezra Pound, and W. D. Snodgrass, Lark in the Morning: The Verses of the Troubadours. Matthew is a very old vampire, who has slightly old-fashioned views on love and romance. You might be surprised at the love poetry of his early life, and come away with a whole new appreciation for “old-fashioned.”

Bruce Moran’s Distilling Knowledge: Alchemy, Chemistry, and the Scientific Revolution. This marvelous book is not only deeply learned but extremely readable. Touched with Moran’s sense of humor and his compassion for his subject’s tireless efforts to understand the natural world, you will come away from this book with a new appreciation for the alchemists.

Alexander Roob, Alchemy and Mysticism. Diana Bishop is an expert on the enigmatic imagery that is used in alchemical texts. Many are included in Roob’s book, along with other illustrations from mystical and magical traditions.

Lyndal Roper, Witch Craze: Terror and Fantasy in Baroque Germany. This scholarly book was important to me as I wrote A Discovery of Witches because it helped me understand how the belief in witches influenced the imagination. Many of the notions we have about witchcraft today have their roots in these terrifying fantasies.

James Sharpe, Instruments of Darkness: Witchcraft in Early Modern England. Sharpe’s book is an ideal starting point if you are interested in the history of witchcraft beyond Salem or Germany. One of his most controversial arguments focuses on the role that women played as accusers—not just as victims—in the witchcraft trials.

Bryan Sykes, The Seven Daughters of Eve: The Science That Reveals Our Genetic Ancestry. I was fascinated by the combination of history, genealogy, and science in Sykes’s work. The book provides an introduction to the study of genetics, and to the legacies that are carried from generation to generation among the population.

--Deborah Harkness

(Photo of Deborah Harkness © Marion Ettlinger)

From Publishers Weekly
In Harkness's lively debut, witches, vampires, and demons outnumber humans at Oxford's Bodleian Library, where witch and Yale historian Diana Bishop discovers an enchanted manuscript, attracting the attention of 1,500-year-old vampire Matthew Clairmont. The orphaned daughter of two powerful witches, Bishop prefers intellect, but relies on magic when her discovery of a palimpsest documenting the origin of supernatural species releases an assortment of undead who threaten, stalk, and harass her. Against all occult social propriety, Bishop turns for protection to tall, dark, bloodsucking man-about-town Clairmont. Their research raises questions of evolution and extinction among the living dead, and their romance awakens centuries-old enmities. Harkness imagines a crowded universe where normal and paranormal creatures observe a tenuous peace. "Magic is desire made real," Bishop says after both her desire and magical prowess exceed her expectations. Harkness brings this world to vibrant life and makes the most of the growing popularity of gothic adventure with an ending that keeps the Old Lodge door wide open. (Feb.)
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From Booklist
*Starred Review* Diana Bishop is the last of the Bishops, a powerful family of witches, but she has refused her magic ever since her parents died and, instead, has turned to academia. When a new project takes her to Oxford, she is looking forward to several months in the Bodleian, investigating alchemical manuscripts. Her peace is soon interrupted when one of the books she finds in the library turns out to have been lost for 150 years and is wanted desperately by the witch, daemon, and vampire communities—so desperately that many are willing to kill for it. But the very first creature to approach her after her discovery is Matthew, a very old vampire and fellow scholar, who seems only to want to protect her. Harkness creates a compelling and sweeping tale that moves from Oxford to Paris to upstate New York and into both Dianas and Matthew’s complex families and histories. All her characters are fully fleshed and unique, which, when combined with the complex and engaging plot, results in one of the better fantasy debuts in recent months. The contemporary setting should help draw a large crossover audience. Try suggesting the novel to readers of literary mysteries like Lauren Willig’s Pink Carnation series, as well as to those who enjoy epic and fantastic romances including Diana Gabaldon’s Outlander series and Jacqueline Carey’s Kushiel novels. Essential reading across all these genres. --Jessica Moyer

Most helpful customer reviews

26 of 27 people found the following review helpful.
Fabulously witchy start to a new UF series. LOVE it.
By Jessica@RabidReads
This book.

Have you ever liked something almost against your will? Something that encompasses roughly half of the things you hate in reference to said thing? Something that makes you scratch your head in wonder, b/c you can't figure out why on earth you aren't terribly bothered by those detested things in this situation?

Welcome to my life.

This book has:

1. What can be construed as insta-love. Matthew and Diana are drawn to each other from the moment they meet, BUT it's so subtle that you aren't sure that's what is happening. And that's probably why it gets a pass.

I never really thought about it (before this book forced me too), but it's the things that insta-love seems to be comprised of, rather than the insta-love itself, that I take issue with---fluttery eyelashes, wild proclamations of ardent, enduring (but wholly untried) love, and the accompanying false sense of urgency. P-U-K-E. Get a room, already. And preferably AFTER the inevitable danger has passed.

But none of those things are an issue here. By the time it becomes obvious that, yes, these two feel more for each other than trepidation and annoyance, enough time has elapsed to almost warrant the depth of emotions, and the rest can be chalked up to fate, animal instinct, mating imperative, etc.

2. A super, special snowflake who denies her super, special snowflakeness. Not only is Diana the last in a powerful line of matriarchal witches, her father was a powerful warlock in his own right. So powerful that a union between her mother and father was strongly discouraged by the powers that be. Mom and Dad said, "Screw you, hippies!" and Diana was the result. But when her parents were killed when Diana was seven, she assumed their deaths were the result of their abilities and refuses to have anything to do with magic.

B/c that always works out so well. *sighs*

But again, it gets a pass. Diana is being just as ridiculous as every MC who tries to ignore their gifts, but this time you can't help but be sympathetic. She's not being obstinate simply to be a pain in the arse. She understandably believes that nothing good can come from using magic, so she's not going to do it. So there. And that's not the only reason it gets a pass, but I can't tell you the other one. Suffice it to say, there's a darn good reason Diana isn't using magic, and that reason is not even remotely her fault.

3. Super, secret information withholding. And this is perhaps the one I have the hardest time with. I cannot stand it when someone in a position of authority, older, more experienced, etc. unilaterally decides who gets to know what. HATE it.

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