Free PDF A Discovery of Witches: A Novel (All Souls Trilogy), by Deborah E. Harkness
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A Discovery of Witches: A Novel (All Souls Trilogy), by Deborah E. Harkness
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A richly inventive novel about a centuries-old vampire, a spellbound witch, and the mysterious manuscript that draws them together.
Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.
Debut novelist Deborah Harkness has crafted a mesmerizing and addictive read, equal parts history and magic, romance and suspense. Diana is a bold heroine who meets her equal in vampire geneticist Matthew Clairmont, and gradually warms up to him as their alliance deepens into an intimacy that violates age-old taboos. This smart, sophisticated story harks back to the novels of Anne Rice, but it is as contemporary and sensual as the Twilight series-with an extra serving of historical realism.
- Sales Rank: #88293 in Books
- Brand: Brand: Viking Adult
- Published on: 2011-02-08
- Released on: 2011-02-08
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.63" w x 6.31" l, 1.80 pounds
- Binding: Hardcover
- 592 pages
- Great product!
Amazon.com Review
Amazon Best of the Month, February 2011: It all begins with a lost manuscript, a reluctant witch, and 1,500-year-old vampire. Dr. Diana Bishop has a really good reason for refusing to do magic: she is a direct descendant of the first woman executed in the Salem Witch Trials, and her parents cautioned her be discreet about her talents before they were murdered, presumably for having "too much power." So it is purely by accident that Diana unlocks an enchanted long-lost manuscript (a book that all manner of supernatural creatures believe to hold the story of all origins and the secret of immortality) at the Bodleian Library at Oxford, and finds herself in a race to prevent an interspecies war. A sparkling debut written by a historian and self-proclaimed oenophile, A Discovery of Witches is heady mix of history and magic, mythology and love (cue the aforementioned vampire!), making for a luxurious, intoxicating, one-sitting read. --Daphne Durham
Ten More Books for Readers of A Discovery of Witches
Interested in learning more about magic and science?
I may have written a novel, but I’m still a history professor! Here are some reading suggestions for those of you whose curiosity has been stirred up by the story of Diana Bishop, Matthew Clairmont, and the hunt for the missing alchemical manuscript Ashmole 782. All of the titles here are non-fiction, and inspired some aspect of A Discovery of Witches.
Elias Ashmole, Theatrum Chemicum Brittanicum: Don’t be put off by the Latin title. This is a collection of English alchemical texts that were gathered by Elias Ashmole. The missing alchemical manuscript that Diana finds in the Bodleian library is not among them, alas, but if you are interested in the subject this is a fascinating glimpse into the mysterious texts that she studies as a historian.
Janet Browne, Darwin’s Origin of Species: Books That Changed the World: Browne is not only a great scholar, but a superb writer. A highly-regarded biographer of Darwin, here she turns her talents to writing a “biography” of his most famous book—and one of Matthew Clairmont’s favorites, as well.
Owen Davies, Grimoires: A History of Magic Books. If you are interested in the history of magic and witchcraft, Davies’ description of the development of magical spellbooks will provide insights into how ideas about magic, science, and nature developed over the centuries.
Carol Karlsen, The Devil in the Shape of a Woman: Witchcraft in Colonial New England. Diana Bishop is descended from a long line of witches. You will find out more about some of those witches—the Bishops and the Proctors—while reading this classic interpretation of what happened in Salem in 1692.
Robert Kehew, Ezra Pound, and W. D. Snodgrass, Lark in the Morning: The Verses of the Troubadours. Matthew is a very old vampire, who has slightly old-fashioned views on love and romance. You might be surprised at the love poetry of his early life, and come away with a whole new appreciation for “old-fashioned.”
Bruce Moran’s Distilling Knowledge: Alchemy, Chemistry, and the Scientific Revolution. This marvelous book is not only deeply learned but extremely readable. Touched with Moran’s sense of humor and his compassion for his subject’s tireless efforts to understand the natural world, you will come away from this book with a new appreciation for the alchemists.
Alexander Roob, Alchemy and Mysticism. Diana Bishop is an expert on the enigmatic imagery that is used in alchemical texts. Many are included in Roob’s book, along with other illustrations from mystical and magical traditions.
Lyndal Roper, Witch Craze: Terror and Fantasy in Baroque Germany. This scholarly book was important to me as I wrote A Discovery of Witches because it helped me understand how the belief in witches influenced the imagination. Many of the notions we have about witchcraft today have their roots in these terrifying fantasies.
James Sharpe, Instruments of Darkness: Witchcraft in Early Modern England. Sharpe’s book is an ideal starting point if you are interested in the history of witchcraft beyond Salem or Germany. One of his most controversial arguments focuses on the role that women played as accusers—not just as victims—in the witchcraft trials.
Bryan Sykes, The Seven Daughters of Eve: The Science That Reveals Our Genetic Ancestry. I was fascinated by the combination of history, genealogy, and science in Sykes’s work. The book provides an introduction to the study of genetics, and to the legacies that are carried from generation to generation among the population.
--Deborah Harkness (Photo of Deborah Harkness © Marion Ettlinger) From Publishers Weekly
In Harkness's lively debut, witches, vampires, and demons outnumber humans at Oxford's Bodleian Library, where witch and Yale historian Diana Bishop discovers an enchanted manuscript, attracting the attention of 1,500-year-old vampire Matthew Clairmont. The orphaned daughter of two powerful witches, Bishop prefers intellect, but relies on magic when her discovery of a palimpsest documenting the origin of supernatural species releases an assortment of undead who threaten, stalk, and harass her. Against all occult social propriety, Bishop turns for protection to tall, dark, bloodsucking man-about-town Clairmont. Their research raises questions of evolution and extinction among the living dead, and their romance awakens centuries-old enmities. Harkness imagines a crowded universe where normal and paranormal creatures observe a tenuous peace. "Magic is desire made real," Bishop says after both her desire and magical prowess exceed her expectations. Harkness brings this world to vibrant life and makes the most of the growing popularity of gothic adventure with an ending that keeps the Old Lodge door wide open. (Feb.)
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From Booklist
*Starred Review* Diana Bishop is the last of the Bishops, a powerful family of witches, but she has refused her magic ever since her parents died and, instead, has turned to academia. When a new project takes her to Oxford, she is looking forward to several months in the Bodleian, investigating alchemical manuscripts. Her peace is soon interrupted when one of the books she finds in the library turns out to have been lost for 150 years and is wanted desperately by the witch, daemon, and vampire communities—so desperately that many are willing to kill for it. But the very first creature to approach her after her discovery is Matthew, a very old vampire and fellow scholar, who seems only to want to protect her. Harkness creates a compelling and sweeping tale that moves from Oxford to Paris to upstate New York and into both Dianas and Matthew’s complex families and histories. All her characters are fully fleshed and unique, which, when combined with the complex and engaging plot, results in one of the better fantasy debuts in recent months. The contemporary setting should help draw a large crossover audience. Try suggesting the novel to readers of literary mysteries like Lauren Willig’s Pink Carnation series, as well as to those who enjoy epic and fantastic romances including Diana Gabaldon’s Outlander series and Jacqueline Carey’s Kushiel novels. Essential reading across all these genres. --Jessica Moyer
Most helpful customer reviews
26 of 27 people found the following review helpful.
Fabulously witchy start to a new UF series. LOVE it.
By Jessica@RabidReads
This book.
Have you ever liked something almost against your will? Something that encompasses roughly half of the things you hate in reference to said thing? Something that makes you scratch your head in wonder, b/c you can't figure out why on earth you aren't terribly bothered by those detested things in this situation?
Welcome to my life.
This book has:
1. What can be construed as insta-love. Matthew and Diana are drawn to each other from the moment they meet, BUT it's so subtle that you aren't sure that's what is happening. And that's probably why it gets a pass.
I never really thought about it (before this book forced me too), but it's the things that insta-love seems to be comprised of, rather than the insta-love itself, that I take issue with---fluttery eyelashes, wild proclamations of ardent, enduring (but wholly untried) love, and the accompanying false sense of urgency. P-U-K-E. Get a room, already. And preferably AFTER the inevitable danger has passed.
But none of those things are an issue here. By the time it becomes obvious that, yes, these two feel more for each other than trepidation and annoyance, enough time has elapsed to almost warrant the depth of emotions, and the rest can be chalked up to fate, animal instinct, mating imperative, etc.
2. A super, special snowflake who denies her super, special snowflakeness. Not only is Diana the last in a powerful line of matriarchal witches, her father was a powerful warlock in his own right. So powerful that a union between her mother and father was strongly discouraged by the powers that be. Mom and Dad said, "Screw you, hippies!" and Diana was the result. But when her parents were killed when Diana was seven, she assumed their deaths were the result of their abilities and refuses to have anything to do with magic.
B/c that always works out so well. *sighs*
But again, it gets a pass. Diana is being just as ridiculous as every MC who tries to ignore their gifts, but this time you can't help but be sympathetic. She's not being obstinate simply to be a pain in the arse. She understandably believes that nothing good can come from using magic, so she's not going to do it. So there. And that's not the only reason it gets a pass, but I can't tell you the other one. Suffice it to say, there's a darn good reason Diana isn't using magic, and that reason is not even remotely her fault.
3. Super, secret information withholding. And this is perhaps the one I have the hardest time with. I cannot stand it when someone in a position of authority, older, more experienced, etc. unilaterally decides who gets to know what. HATE it.
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